AQA A-Level English Literature A Paper 2: Texts in shared contexts (2B), June 2025: Question 1
25 marks · Hard difficulty · Extended Response
Examine the significance of the collection’s title, Feminine Gospels, writing about at least two poems in your answer.
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Question text
01 Examine the significance of the collection’s title, Feminine Gospels.
You must write about at least two poems in your answer.
[25 marks]
Mark scheme
Show the mark scheme
Question 01
Feminine Gospels – Carol Ann Duffy
Examine the significance of the collection’s title, Feminine Gospels.
You must write about at least two poems in your answer.
[25 marks]
Possible content:
Please refer to pages 4 to 7.
AO5 Explore literary texts informed by different interpretations
Students might consider:
• the implications of the word ‘feminine’, in terms of the collection’s focus on sharing women’s
stories, possibly as a reaction to women being traditionally side-lined by men’s actions and
decisions throughout history, eg ‘Loud’, ‘Tall’, ‘Beautiful’, ‘Work’ and ‘History’
• the implications of the word ‘gospels’ in terms of its promising a new kind of teaching or revelation,
eg as shown in poems that present a revisionist retelling of the biblical gospels of Matthew, Mark,
Luke and John
• Duffy’s decision to dedicate the collection to her four brothers, as listeners rather than authors of
these new ‘gospels’ which tell a new kind of ‘gospel truth’
• that the word ‘gospels’ is a literal translation of the Greek word meaning ‘the good news’, and was
used by the New Testament evangelists to indicate news of salvation or liberation; this may be
seen in poems that celebrate women’s increasing power and status, eg ‘TLOSGH’
• that Duffy is proposing a new way of approaching life, just as the writers of the original gospels
proposed following a new road that departed from established tradition
• poems that contain explicitly religious elements, eg ‘The Virgin’s Memo’
• the fact that the collection is headed by ‘The Long Queen’, who presides over a matriarchy and a
powerful ‘feminine’ collective
• the collection’s concerns with issues that may be seen as typically ‘feminine’ in scope, eg ‘The
Diet’ and ‘The Woman Who Shopped’
• etc.
AO4 Explore connections across literary texts
Focus might be on:
• poetic representations of gender, power and patriarchy in modern literature
• etc.
AO3 Demonstrate understanding of the significance and influence of the contexts in which
literary texts are written and received
Focus might be on:
•12 how attitudes to gender, power and patriarchy are expressed within this poetry collection and how
this reflects changing attitudes over time
• the ways in which poetic methods are an integral part of strengthening the collection’s presentation
of gender, power and patriarchy
• etc.
AO2 Analyse ways in which meanings are shaped in literary texts
Focus might be on:
• aspects of poetic form and genre
• aspects of structure, eg use of stanzas as well as the overall organisation of the collection and the
links and connections that may be made between the sections
• aspects of language, eg rhyme, rhythm and imagery
• etc.
AO1 Articulate informed, personal and creative responses to literary texts, using associated
concepts and terminology, and coherent, accurate written expression
• quality of argument
• organisation of ideas
• use of appropriate concepts and terminology
• technical accuracy.
Accept any valid interpretations, any valid comments on contexts and any valid discussion of
authorial methods.
How to answer it
Carol Ann Duffy: Significance of the Title Feminine Gospels
This question assesses your ability to construct an evaluative, overarching critical argument concerning the thematic and cultural resonance of Duffy’s collection title across the whole syllabus.
- AO1: Articulating a fluent, academically phrased argument with embedded textual evidence.
- AO2: Analysing how Duffy shapes meaning through poetic form, subversion of genre, syntax, and motif.
- AO3: Integrating contexts of second/third-wave feminism, patriarchal biblical tradition, and shifting socio-political status of women.
- AO4: Exploring connections across poems and wider poetic conventions of gender and authority.
- AO5: Debating nuanced interpretations (e.g., whether the poems serve as celebratory "good news", subversive reclamation, or mourning of female suffering).
"Examine the significance of the collection’s title, Feminine Gospels."
Requirement: Comparative analysis of at least two poems in direct relation to the prompt
💡 Key Knowledge: Deconstructing the Title
- Etymology & Subversion of "Gospels": Originates from the Old English god-spell translating the Greek evangelion ("good news"). Duffy reclaims a genre historically written exclusively by men (Matthew, Mark, Luke, John) to record spiritual and historical "truth".
- "Feminine" as Counter-Narrative: Refers not just to biological sex, but to lived female experience sidelined by canonical history. Duffy dedicated the text to her four brothers as listeners—positioning men as receivers rather than arbiters of truth.
- Structural Framing: Headed by matriarchy in The Long Queen and concluded by domestic/mythic intimacy in Anon and Cordelia, the collection creates a secular, female bible.
- Dual Meaning of "Gospel Truth": Juxtaposes literal truth against myth, fable, surrealism, and tall tales (e.g., The Diet, The Map-Woman, Tall).
✅ Exemplary Conceptual Pairings
- Pairing A (Sacred Revisionism): The Virgin’s Memo & The Long Queen.
• The Virgin's Memo: Re-evaluates biblical scripture through the omitted maternal voice of Mary; uses illegibility and fragments ( "untranslatable" ) to symbolise patriarchal censorship of female wisdom.
• The Long Queen: Establishes a female deity presiding over four universal female rites ( "childhood, blood, tears, childbirth" ). - Pairing B (Secular Liberation & Power): The Laughter of Stafford Girls’ High & History.
• Explores the "good news" as disruptive collective rebellion against patriarchal repression and the physical embodiment of silenced historical women. - Pairing C (Socio-Cultural Critiques): The Diet & The Woman Who Shopped.
• Examines modern pressures as cautionary gospels against the commodification and bodily discipline of women in consumerist culture.
🧠 Exam Technique & Mark Scheme Drivers
- Avoid Linear Tracking: Do not write a poem-by-poem synopsis. Organise paragraphs conceptually around specific facets of the title:
1. Gospel as Divine Law & Ritual
2. Gospel as Silenced/Omitted Testimony
3. Feminine Suffering vs. Triumphant "Good News" - Interweave AO2 with AO3: When citing a technique (e.g., non-rhyming couplets, listing, colloquial register), link it directly to the disruption of institutional, male-dominated authority.
- Balanced Textual Breadth: While the paper demands "at least two poems", Band 5 responses often reference a central pair in depth while making brief, illuminating links to 1–2 other poems across the collection to justify the collection-wide title.
❌ Common Errors to Avoid
- Treating the Title as an Aside: Only mentioning "Feminine Gospels" in the introduction and conclusion. Top marks require the title’s twin concepts to drive every topic sentence.
- Ignoring the Word "Gospels": Writing purely about generic feminist ideas or modern womanhood without evaluating the religious, evangelical, doctrinal connotations of "Gospels".
- Feature Spotting: Identifying enjambment or caesura without connecting it to the revelation of voice or the fragmentation of patriarchal narrative.
- Uncritical Acceptance: Failing to note that several poems present bleak, tragic realities (e.g., anorexia, isolation, execution) rather than purely positive "good news".
📐 Mark Scheme Distribution (25 Marks Total)
Topics
Modern times: literature from 1945 to the present day · Feminine Gospels
Question and mark scheme from the AQA A-Level English Literature A examination, Paper 2: Texts in shared contexts (2B), June 2025. QuestionVault is an independent revision resource; questions remain the copyright of the awarding body.