AQA A-Level English Literature A Paper 2: Texts in shared contexts (2B), June 2025: Question 6
25 marks · Hard difficulty · Extended Response
Compare the significance of the struggle for identity in two other texts you have studied, using one drama text and one prose text.
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06 Compare the significance of the struggle for identity in two other texts you have studied.
Remember to include in your answer reference to how meanings are shaped in the texts
you are comparing.
You must use one drama text and one prose text in your response.
[25 marks]
Mark scheme
Show the mark scheme
Question 06
Compare the significance of the struggle for identity in two other texts you have studied.
Remember to include in your answer reference to how meanings are shaped in the texts you are
comparing.
You must use one drama text and one prose text in your response.
[25 marks]
Possible content:
Please refer to pages 4 to 7.
AO5 Explore literary texts informed by different interpretations
Focus might be on:
• interpretations of the significance of the struggle for identity as expressed in their two texts
• the extent to which the contrasting genres of the two texts affect the ways in which the struggle for
identity are presented
• etc.
AO4 Explore connections across literary texts
Focus might be on:
• connections of similarity and/or difference at the level of subject matter/genre/attitudes and/or
methods
• etc.
AO3 Demonstrate understanding of the significance and influence of the contexts in which
literary texts are written and received
Focus might be on:
• differing representations of the struggle for identity and its possible effects and impact
• the psychological effects of the struggle for identity
• an analytical comparison of characters who respond to the struggle for identity in various ways
• how the struggle for identity may be viewed differently over time
• how the theme of the struggle for identity contributes to a text or texts as a whole
• etc.
AO2 Analyse ways in which meanings are shaped in literary texts
Focus might be on:
• methods of presenting and explaining the reasons for the prevalence and significance of the theme
of the struggle for identity in modern literature
• possible purposes and effects of the presentation of the struggle for identity
• prose methods such as: narrative structure; point of view; chronology; use of dialogue; indirect
speech; development of settings; ways of influencing the readers’ response to character and
incident
• dramatic methods such as: explicit structural devices; dramatic irony; stage directions; indirect
22 ways of communicating the writers’ messages and ideas; naturalistic, non-naturalistic,
expressionist and other styles of representing character, incident and narrative
• poetic methods such as: types of verse form; explicit and implicit structural features; use of tropes
for rhetorical effect; use of aural devices for rhetorical effect; elliptical use of language
• etc.
AO1 Articulate informed, personal and creative responses to literary texts, using associated
concepts and terminology, and coherent, accurate written expression
• quality of argument
• organisation of ideas
• use of appropriate concepts and terminology
• technical accuracy
• comparing texts.
Accept any valid interpretations, any valid comments on contexts and any valid discussion of
authorial methods.
Option 2
Section A: Drama Set Text
How to answer it
Comparative Essay: The Struggle for Identity
"Compare the significance of the struggle for identity in two other texts you have studied. You must use one drama text and one prose text in your response."
- AO1 Coherent, critical argument and precise literary terminology across a structured essay.
- AO2 Analysis of genre-specific form and authorial methods (contrasting prose techniques with dramatic staging/devices).
- AO3 Contextual understanding (social, political, temporal factors shaping identity struggles and modern reception).
- AO4 Synthesis and comparative links (thematic parallels, ideological differences, structural divergence).
- AO5 Exploration of differing interpretations, critical debate, and varied perspectives on selfhood.
Question 06: Comparative Analysis Guide
Deconstructing the Task, Genre Demands & Mark Scheme Criteria
💡 Key Knowledge: The Multi-Layered "Struggle for Identity"
Top-band scripts define "identity" dynamically rather than treating it as a static character trait:
- Internal vs. Societal: Conflict between internal selfhood/desire and societal, patriarchal, racial, or class imposition.
- Psychological Dissolution: The mental disintegration, alienation, or suppression resulting from denied agency.
- Genre Divergence: How genre dictates the depiction of identity:
- Prose: Explores interiority via focalisation, stream-of-consciousness, unreliable narrators, and temporal shifts.
- Drama: Externalises internal conflicts via soliloquies, plastic theatre, staging, proxemics, dramatic irony, and dialogue pacing.
🧠 Exam Technique: Integrated Comparative Essay Planning
Organise by conceptual arguments, not text-by-text blocks:
- Thesis statement: Establish immediately what role identity plays in both texts and whether liberation or devastation is the outcome.
- Integrated Paragraphing (Point-Text 1-Text 2-Synthesis): Compare how both texts approach the same sub-theme per paragraph (e.g., performance of gender roles, linguistic oppression).
- Synthesising Connectives: Regularly use explicit comparative pivots: "Conversely," "Whereas Miller exploits visual staging to signify isolation, Atwood utilizes restricted first-person retrospective prose to..."
✅ What Top-Band (Band 5) Responses Do
- Balance Both Texts Equally: Approximately 50/50 weighting between the drama text and the prose text throughout.
- Genre-Specific Vocabulary: Refers explicitly to dramatic conventions (e.g., stage directions, set design, lighting, chorus, entrances/exits) vs. prose methods (e.g., epistolary framing, narrative perspective, free indirect discourse).
- Rooted Context ( AO3 ): Integrates historical, socio-cultural, and philosophical contexts directly into textual analysis rather than pasting separate history lessons.
- Critical Plurality ( AO5 ): Acknowledges ambiguity (e.g., whether an ending represents defiant triumph of self-identity or tragic surrender).
❌ Common Errors & Lost Marks
- Text-by-Text Splitting: Writing one large section on the novel and a separate section on the play. This caps AO4 at Level 3.
- Treating Drama Like a Novel: Ignoring that plays are written for performance. Omitting stagecraft, visual symbolism, and audience reaction loses major AO2 credit.
- Descriptive Plot-Telling: Narrating characters' life stories instead of critically evaluating how the writer constructs the significance of identity.
- Unequal Text Pairing: Using the second text as a mere footnote or quick afterthought at the end of each paragraph.
📐 Step-by-Step Essay Architecture (25 Marks)
- Introduction (3-4 mins): Define the conceptual nature of "the struggle for identity" in relation to your chosen drama text and prose text. Offer a clear line of argument regarding authorial purpose.
- Comparative Theme 1 (10-12 mins): Contrast the origins of the struggle (e.g., institutional/patriarchal restriction). Contrast prose world-building with theatrical set design and stage directions.
- Comparative Theme 2 (10-12 mins): Analyze the internal crisis / fragmentation of selfhood. Compare prose narrative perspective (e.g., unreliable internal monologue) against dramatic vocalisation (e.g., monologue, aside, dialogue breakdown).
- Comparative Theme 3 (10-12 mins): Compare the resolution or futility of identity reclamation. Consider different contextual receptions ( AO3 ) and alternative critical interpretations ( AO5 ).
- Conclusion (3-4 mins): Synthesise how each medium (drama vs. prose) uniquely positions the reader/audience to evaluate human agency.
Topics
Modern times: literature from 1945 to the present day · The Handmaid’s Tale · Waterland · Top Girls · A Streetcar Named Desire · Spies · One Flew Over the Cuckoo’s Nest · The God of Small Things · The Help · The Color Purple · Oranges are not the Only Fruit · Revolutionary Road · Translations · All My Sons · Our Country’s Good · Cat on a Hot Tin Roof
Question and mark scheme from the AQA A-Level English Literature A examination, Paper 2: Texts in shared contexts (2B), June 2025. QuestionVault is an independent revision resource; questions remain the copyright of the awarding body.