AQA A-Level English Literature A Paper 2: Texts in shared contexts (2B), June 2025: Question 14

25 marks · Hard difficulty · Extended Response

Examine the significance of teachers and teaching in Waterland.

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Examination question labeled 14 stating: 'Examine the significance of teachers and teaching in Waterland.' Worth 25 marks.
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14 Examine the significance of teachers and teaching in Waterland.

[25 marks]

Mark scheme

Show the mark scheme Mark scheme for Question 14 on Graham Swift's 'Waterland'. It provides indicative content broken down by assessment objectives AO1 through AO5, covering themes of teaching and education, Tom Crick's classroom, fatherly and informal educators, contextual aspects of the 1940s and 1980s, and narrative structure.

Question 14

Waterland – Graham Swift

Examine the significance of teachers and teaching in Waterland.

[25 marks]

Possible content:

Please refer to pages 4 to 7.

AO5 Explore literary texts informed by different interpretations

Students might consider:

• ideas about teachers and ideas about teaching equally, or choose to prioritise either aspect of the

task focus

• various types of teaching and learning activities portrayed within the text

• characters who impart different kinds of knowledge and understanding, and may therefore be seen

as ‘teachers’, eg Martha Clay and Mary Metcalf

• the role of Henry Crick, and his ‘education’ of his two sons, Tom and Dick; other fathers who may

be seen to 'teach' lessons

• ideas about ‘coming of age’ and the loss of innocence, linked to the ways in which some

characters acquire an ‘education’ in terms in sexual, emotional or psychological knowledge and/or

awareness

• the relationship between history teacher Tom Crick and his A-level History class, which moves

away from being taught an official curriculum subject by a practising teacher

• the role of the A-level History students as Tom Crick’s narratees; the class’s response when Tom

abandons the official A-level syllabus to discuss other types of ‘history’

• Price’s belief that Tom’s lessons about the past are a way of avoiding the contemporary threat of

nuclear war in the early 1980s, and his rejection of the official curriculum in favour of forming a

‘Holocaust Club’

• that Price’s explanation of the Holocaust Club to Tom reverses their student-teacher dynamic

• etc.

AO4 Explore connections across literary texts

Focus might be on:

• prose representations of teachers, teaching, learning and education in modern literature

• etc.

AO3 Demonstrate understanding of the significance and influence of the contexts in which

literary texts are written and received

Focus might be on:

• how the importance of teachers, teaching, learning and education within the novel is embedded

within the specific social, historical and cultural contexts of both the 1940s and the 1980s and how

responses to him might suggest changing responses over time

• the ways in which narrative methods are integral to the novel’s presentation of teachers, teaching,

learning and education

• etc.

AO2 Analyse ways in which meanings are shaped in literary texts

Focus might be on:

• aspects of narrative form and genre, especially the ways in which Swift has structured the text as a

postmodern metafiction

• aspects of structure, eg the ways in past and present are entwined within the narrative

• language effects eg dialogue and description

• how the retrospective and non-linear narrative may be seen to shape the reader’s response in

relation to the question

• etc.

AO1 Articulate informed, personal and creative responses to literary texts, using associated

concepts and terminology, and coherent, accurate written expression

• quality of argument

• organisation of ideas

• use of appropriate concepts and terminology

• technical accuracy.

Accept any valid interpretations, any valid comments on contexts and any valid discussion of

authorial methods.

How to answer it

Significance of Teachers and Teaching in Waterland

AQA A-Level English Literature A • Paper 2 • 25 Marks

What this question tests

This question evaluates your ability to construct a focused, critical literary argument exploring Graham Swift’s narrative treatment of education, pedagogy, and informal learning.

  • AO1: Coherent, academically rigorous argument with precise textual reference to Tom Crick's classroom, narratees, and family histories.
  • AO2: Critical analysis of metafiction, non-linear retrospective framing, symbolic motifs (silt, eels, locks), and shifting narrative voice.
  • AO3: Contextual awareness bridging the early 1980s Cold War nuclear dread (Price/Holocaust Club) with 1940s Fenland folk knowledge and wartime trauma.
  • AO4: Exploration of prose representations of pedagogical structures and the loss of innocence in modern/postmodern literature.
  • AO5: Confident debate on differing interpretations of what constitutes an "education"—curriculum vs. lived human experience, history vs. myth.

Question 14: Essay Guide & Detailed Breakdown

Prompt: Examine the significance of teachers and teaching in Waterland. [25 marks]

💡 Key Knowledge: Core Dimensions of Teaching

  • Institutional Pedagogy vs. Storytelling: Tom Crick abandons the syllabus (the French Revolution) in favour of local, personal, fenland histories to counter modern apathy.
  • The Student-Teacher Dialectic: Price challenges Crick with contemporary nihilism (nuclear extinction); Price's creation of the "Holocaust Club" subverts authority and turns him into an educator of modern dread.
  • Non-Institutional Teachers:
    • Martha Clay: Fen witch figure who teaches female anatomy, folk lore, and initiates illicit physical realities (abortion).
    • Henry Crick: Educates Tom and Dick through Fenland river wisdom, folklore, and practical navigation.
  • Education as "Loss of Innocence": Sexual initiation between Mary Metcalf, Tom, and Dick acts as an emotional and psychological education with tragic consequences.

✅ Model Thematic Arguments (High Band 5)

Thesis: Swift presents teaching not merely as an academic pursuit, but as a survival mechanism against existential terror and oblivion, while demonstrating that lived trauma repeatedly collapses the boundary between teacher and pupil.

  • Argument 1: Metafictional Pedagogy: Crick uses the classroom as a confessional space. By replacing textbook history with an interrogation of "Here and Now", teaching becomes narrative therapy.
  • Argument 2: Generational Inversion: Price represents 1980s Cold War disillusionment. He "teaches" Crick that historical cycles offer no solace against absolute nuclear finality.
  • Argument 3: Visceral vs. Theoretical Knowledge: Contrast the clinical, sterile school setting with Martha Clay's mud cottage or the water lock; instinctual knowledge carries destructive, irreversible consequences.

🧠 Exam Technique & Structure

  • Define "Teacher" Broadly: Do not restrict your focus to Tom Crick standing in front of a blackboard. Address both institutional (Lewis, Crick) and informal/mythic figures (Martha Clay, Henry Crick, Mary).
  • Integrate AO2 with AO3: Link Crick's digressive, silt-like narrative structure directly to the 1980s educational pressures (headmaster Lewis threatening to axe History for practical sciences).
  • Interrogate Swift's Form: Frame Crick as an oral storyteller whose students act as intra-diegetic narratees, complicating narrative reliability.
  • Quote Accurately: Use key phrases: "Man is the storytelling animal", "Explanation having its limits", "Educating Dick", and "Fear of the end of the world".

❌ Common Errors & Pitfalls

  • Plot Summary of the Crick Family: Recounting Dick’s parentage or Mary’s stolen baby without tying it back to how knowledge or lessons are acquired.
  • Ignoring the 1980s Frame: Forgetting that Crick’s narrative takes place on the verge of his forced retirement during Thatcherite educational cuts.
  • Treating Crick Uncritically: Failing to notice Crick's self-indulgence and evasion of responsibility in his pedagogical monologues.
  • Neglecting AO5: Failing to weigh whether Crick's unorthodox teaching succeeds as therapeutic enlightenment or fails as nostalgic escapism.

📐 Examiner Insights & Mark Scheme Bandings

Band 5 (21–25 marks): Illustrates perceptive, insightful, and unified critical interpretation. Explores the metafictional layers of storytelling as teaching; articulates nuanced debates on curriculum vs. mythic education; seamlessly integrates historical contexts (1940s post-war trauma vs. 1980s Cold War threats).
Band 3 (11–15 marks): Straightforward, narrative-driven response. Discusses Tom Crick being a teacher and mentions his talks with Price, but treats the narrative as a chronological series of events rather than evaluating Swift’s methods and structural devices.
Key Differentiator: Top-band candidates analyse the structural significance of teaching—how Tom's lessons function as the framing device for the entire novel's non-linear form, mirroring the endless reclamation and silting of Fenland waters.

Topics

Modern times: literature from 1945 to the present day · Waterland

Question and mark scheme from the AQA A-Level English Literature A examination, Paper 2: Texts in shared contexts (2B), June 2025. QuestionVault is an independent revision resource; questions remain the copyright of the awarding body.