AQA A-Level English Literature A Paper 2: Texts in shared contexts (2B), June 2025: Question 15
25 marks · Hard difficulty · Extended Response
Examine the significance of the novel's title, The Handmaid's Tale.
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Question text
The Handmaid’s Tale – Margaret Atwood
or
15 Examine the significance of the novel’s title, The Handmaid’s Tale.
[25 marks]
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Question 15
The Handmaid’s Tale – Margaret Atwood
Examine the significance of the novel’s title, The Handmaid’s Tale.
[25 marks]
Possible content:
Please refer to pages 4 to 7.
AO5 Explore literary texts informed by different interpretations
Focus might be on:
• the idea of a ‘tale’ being a specific kind of oral narrative often associated with women, and
containing ideas about fairy tales and old wives’ tales
• that as the handmaids are forbidden to read and write, and Offred is in fact recording her memories
and impressions of Gilead onto a batch of old cassette tapes, this is an oral narrative in the female
tradition
• that storytelling and the power of stories is a major theme within the text
• the function of the ‘Historical Notes’ as a postscript to Offred’s narrative; the explanation of the
Gileadean system and the reconstruction of Offred’s story by Professor Pieixoto
• the impact of Pieixoto’s revelation that he collated and edited Offred’s story, and then named it
‘The Handmaid’s Tale’ in homage to Chaucer
• the importance of the epigraph taken from the Book of Genesis which details the relationships
between sisters Leah and Rachel, the official wives of the patriarch Jacob, and their handmaids
Bilhah and Zilpah, whose children by Jacob are claimed by the wives as their own; the fact that the
Gileadean system of state surrogacy is based on this Old Testament story
• ideas about different types of narrative: the fact that Offred herself states that her narrative is
unreliable – ‘it didn’t happen that way. This is how it happened’
• the idea that the text is a first-person account of the Gileadean regime from the viewpoint of a
typical handmaid
• that in calling the book The Handmaid’s Tale rather than A Handmaid’s Tale, Pieixoto
paradoxically elevates Offred and her status within the text
• possible mention of how the narrative is constructed in Atwood’s sequel to the novel, The
Testaments, in which the narrative is split three ways
• etc.
AO4 Explore connections across literary texts
Focus might be on:
• prose representations of gender, power and patriarchy as seen in modern literature, perhaps with a
focus on the dystopian genre
• etc.
AO3 Demonstrate understanding of the significance and influence of the contexts in which
literary texts are written and received
Focus might be on:
• the ways in which narrative methods are an integral part of strengthening the novel’s presentation
of gender, power and patriarchy
40• etc.
AO2 Analyse ways in which meanings are shaped in literary texts
Focus might be on:
• aspects of narrative form and genre
• aspects of the ways in which Atwood has structured the text, eg the narrative stance of Offred and
the privileging of her viewpoint
• language effects eg dialogue and description
• etc.
AO1 Articulate informed, personal and creative responses to literary texts, using associated
concepts and terminology, and coherent, accurate written expression
• quality of argument
• organisation of ideas
• use of appropriate concepts and terminology
• technical accuracy.
Accept any valid interpretations, any valid comments on contexts and any valid discussion of
authorial methods.
How to answer it
The Handmaid's Tale: The Significance of the Novel's Title
What this question tests
This question assesses your ability to conduct a focused, multi-layered critical exploration of how Atwood constructs meaning through the titular naming of her text [25 marks].
- AO1 (Argument & Expression): Structuring a conceptual, cohesive thesis analyzing the grammatical, thematic, and meta-fictional layers of the title.
- AO2 (Authorial Methods): Exploring narrative framing, oral vs. written discourse, irony, and the postscript structure (the Historical Notes).
- AO3 (Contextual Significance): Connecting the title to patriarchal hegemony, Biblical fundamentalism (Genesis 30:1–3), and 1980s political/religious backlashes.
- AO4 (Literary Connections & Genre): Engaging with dystopian conventions and medieval Chaucerian frame narratives (The Canterbury Tales).
- AO5 (Debatable Interpretations): Evaluating whether the title represents an act of reclamation of female voice or patriarchal patronisation and editorial erasure by Professor Pieixoto.
Question 15: Deconstructing the Title
"Examine the significance of the novel's title, The Handmaid's Tale." [25 marks]
💡 Key Knowledge: Multi-Layered Facets of the Title
- Chaucerian Allusion: In the Historical Notes, Professor Pieixoto admits he titled the manuscript in homage to Geoffrey Chaucer's The Canterbury Tales (e.g., The Miller's Tale, The Wife of Bath's Tale). This frames Offred's harrowing survival as a quaint, archaized piece of academic folklore.
- The Pun on "Tale" / "Tail": Pieixoto crudely jokes about the homophone "tail" (archaic slang for female genitalia), revealing that even in 2195, male-dominated academia trivialises and sexualises female suffering.
- Biblical Origin of "Handmaid": Rooted in the Genesis epigraph (Rachel and Bilhah). Gilead appropriates biblical nomenclature to sanitise state-sanctioned ritualised rape as holy service.
- Oral Tradition & "Old Wives' Tales": A "tale" implies an oral narrative, fairy tale, or fiction. Because Handmaids were forbidden to read or write, Offred dictated onto cassette tapes. Her story is literally an oral survivor's testimony, yet calling it a "tale" threatens to cast doubt on its factual veracity.
- The Definite Article "The" vs "A": "The" suggests Offred is elevated as an archetypal representative for all silenced women; paradoxically, it simultaneously strips her of individual identity, reducing her to her functional caste.
🧠 Exam Technique: Structuring a Band 5 (Top Level) Essay
- Immediate Framing: Reveal in your introduction that the title is not given by Offred, but posthumously imposed by a male academic (Pieixoto). This instantly elevates your response into high-level AO2/AO5 territory.
- Break Down the Terms: Devote distinct, interconnected paragraphs to:
- The biblical noun Handmaid (theocratic oppression and reduction to biological function).
- The noun Tale (oral resistance vs. patronising dismissal / Chaucerian intertextuality).
- The framing structure (the irony of the Historical Notes).
- Integrate Voice and Reliability: Link the word "tale" to Offred's own meta-fictional admissions: "This is a reconstruction" and "It didn't happen that way" .
✅ High-Scoring Thematic Arguments (AO1 / AO2 / AO5)
Argument 1: The Title as Patriarchal Appropriation & Meta-fictional Frame
The most critical insight is that the title is an editorial artifact. Offred never names her story; Professor Pieixoto titles it in 2195. By framing it as a Chaucerian pastiche ( "partly in homage to the great Geoffrey Chaucer" ), Pieixoto neutralises Offred's political urgency, aestheticising her trauma into academic curiosity. The bawdy innuendo on "tail" unmasks the enduring nature of misogyny across centuries, proving that post-Gileadean society still commodifies women's bodies.
Argument 2: Biblical Subversion & The Depersonalisation of "The Handmaid"
The title directly invokes the epigraph from Genesis 30:1–3, where Rachel commands Jacob to impregnate her maid Bilhah: "she shall bear upon my knees, that I may also have children by her." By adopting Gilead's state title rather than her real name (which remains unspoken or coded as "June"), the title reflects how totalitarian regimes erase personal identity. Yet, by calling it The Handmaid's Tale rather than A Handmaid's Tale, Atwood creates an ironic tension: Offred is transformed into the singular, universal voice for all Gilead's voiceless victims.
Argument 3: The "Tale" as Oral Resistance and Subversive Fiction
Because literacy was an act of treason punishable by amputation for women in Gilead, Offred's "tale" could only survive through the oral tradition—recorded over commercial pop cassette songs (like Elvis Presley and Boy George). The title signifies feminine storytelling as an act of rebellion. Furthermore, Offred acknowledges the performative instability of her tale ( "If it's a story I'm telling, then I have control over the ending" ). A "tale" implies storytelling, memory, and fabrication, resisting the rigid, totalitarian dogma of Gilead's written, state-enforced decrees.
Examiner Insight: Pitfalls & Distinctions
❌ Common Errors That Cap Marks
- Treating the title as Atwood's literal label: Forgetting that Pieixoto chose the title within the narrative universe of the novel.
- Writing a general character essay on Offred: Drifting away from the question into a broad recounting of Offred's suffering, Commander Waterford, or Nick without tying points back to the signifiers "Handmaid" and "Tale".
- Ignoring the Historical Notes: Failing to mention the closing academic conference in Nunavit, which provides the crucial structural context for the title.
- Ignoring the Genesis epigraph: Missing the foundational theocratic context of the label "Handmaid".
📐 What Distinguishes Level 5 / Band 5 Responses
- Linguistic Precision: Close semantic analysis of the words (the definite article "The", the possessive apostrophe "Handmaid's", the connotations of "Tale" vs "History" or "Account").
- Structural Integration: Directly linking the title to Atwood's framed narrative architecture (Offred's raw, fractured present-tense tape recordings vs. the clinical, detached future-historicist symposium).
- Nuanced AO5: Balancing whether the title acts as a trivialising label that re-silences the narrator, or an ironic badge of female survival that outlives the regime of Gilead.
Topics
Modern times: literature from 1945 to the present day · The Handmaid’s Tale
Question and mark scheme from the AQA A-Level English Literature A examination, Paper 2: Texts in shared contexts (2B), June 2025. QuestionVault is an independent revision resource; questions remain the copyright of the awarding body.